The JCI Prison Scholars Program

Tag: totalitarianism

  • advanced literature, dec 6

    advanced literature, dec 6

    We finished the class by watching the 1954 animated version of Animal Farm, directed by Joy Batchelor and John Halas, which is an interesting movie in its own right, but a very watered down version of Orwell’s allegory. I’m sure none of the men Thug_Notes_Animal_Farmwere surprised that the ending of Animal Farm was depressing, but possibly some were disturbed to realize just how terrible things finally got. But I have to say, most of the animals were asking for it. They followed the pigs blindly and naively; they didn’t pay attention to what was going on around them; they trusted that Napoleon had their best interests at heart, they forgot the past, and they didn’t look out for themselves.

    At the beginning of Chapter 10, years have passed since the rebellion. Many of the animals involved in it are dead. Most of its ideals and promises are dead as well. The younger animals simply accept Napoleon’s historical account and the way he runs the farm. They are now far worse off under Napoleon than under Mr. Jones. The windmill, before it’s exploded, is used to mill corn and increase profits. The pigs, under Napoleon, have become worse than the humans. The commandments have been changed so that the pigs are considered superior to the others.

    This is a very cynical story. Orwell seems to be suggesting that all power corrupts. There’s no way out. In our own lives, we can either join the pigs, and become corrupted, or go on quietly with our own lives, and be led blindly and naïvely. There is a moment of potential enlightenment when seems as though thinganimal_farms could be turned around when Boxer is taken away to the slaughterhouse, and Benjamin has a heroic moment when he tries to mount a rescue operation.  But in the end, even Benjamin is cynically resolved to the disastrous fate of pig rule.

    There can be no actual hero on Animal Farm because totalitarianism eliminates all heroism.  There can be no daring individual acts because all such acts end in death. On Orwell’s Animal Farm, it may well be that cynicism is not just an optional disposition; it is a duty. It is the only possibility of opposition. It’s the realist’s version of hope, the only disposition that can penetrate beyond the implacable barriers of oppression.  The cynic does not accept power, but nor does he accept the tyranny of the status quo. As usual, another depressing book to end the course.

     

  • advanced literature, dec 1

    Animal Farm is starting to get depressing, but I think we all predicted that. And not all the animals are having a hard time. As top pig, Napoleon is in the pink. He’s even going to market and bringing home the bacon. By the end of these two chapters, Napoleon’s regime is definitely worse than that of Mr. Jones. As Napoleon’s animal-farm-coverhenchman, Squealer circulates disinformation, blaming everything bad that happens on the absent Snowball. He also accuses certain animals of plotting secretly with Snowball, which is obviously untrue. What makes matters worse is that the animals admit it, internalizing their self-hatred. Napoleon doesn’t even have the decency to give them a fair trial; he just has them taken round the back of the barn and the dog rip out their throats. So much for Commandment Six, “No Animal Shall Kill Any Other Animal.”

    These two chapters are important because they show how the animals are being manipulated into following anything Squealer claims Napoleon has said. The animals are so obedient that they don’t even realize how gullible they are. The truth is, they’re so used to having someone else think for them, that they don’t even consider objecting. They just assume Napoleon is right all the time.

    Although he uses the word “Comrade” and uses the inclusive “we,” Squealer is starting to speak in a formal way, beginning to isolate himself from his fellow beasts. No longer is he an everyday pig. Though he denies that the top pigs have power over the others, his speech, charisma and closeness to Napoleon all give Squealer implicit authority.

    For example, when Squealer bans “Beasts of England,” he says, “In ‘Beasts of England,’ we expressed our longing for a better society in days to come. But that society has now been established. Clearly this song has no longer any purpose.” When he says “we,” he sounds as though he is speaking on behalf of the other animals, but he is also assuming that they all feel the same way. He is not open to disagreement or protest. He pretends to be a “pig of the people” but is actually authoritative and hard headed.

    Although the book may be getting depressing, I’ve got a lot to look forward to. I really love hearing the men’s responses to this novel, because they’re so complex and interesting. I’m used to listening carefully to the thoughtful responses produced by Mr. Arey, for example, and Mr. Doyle, and Mr. Simpson, but last wAnimalFarm1eek I wasn’t prepared for Mr. Barnett’s paper. There was really too much for me to take in just by sitting listening to it—I had to take a copy home and read it again. And then there was Mr. Drummond’s impressively close reading. He gets right in there and turn the words themselves into a code to be cracked, creating mysteries he alone can solve. The progress of the pigs may be disheartening, but that of this group is just the opposite.